Podcast Update

I recently had the pleasure of sitting for an interview with Lori Randall, creator of Literally Social, a website to help writers navigate the virtual world we live in. Lori is a terrific resource for our digital age…so whether you’re new to social media or comfortable with the change-a-minute pace of “new” media, Literally Social has something to offer. The podcast of our interview appears today on Lori’s site. Here’s the link:

http://literallysocial.net/2011/09/06/award-winning-author-anene-tressler-reviews-some-rare-social-media-savvy/

And check out Lori’s previous and future guests: She’s interviewing a range of authors who share their wisdom and insights about connecting writer and reader in our media-driven world.

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Those Tags Really Work!

Ever wonder if tags on your posts really work? Let me share my own recent example. On July 16th, I read from my debut novel, Dancing With Gravity, at the Iowa City Book Festival. We recorded my reading and posted it on YouTube with tags that included mention of the festival.  Within twenty-four hours, staff at Iowa’s Public Access TV (PATV Channel 18) contacted me through YouTube and asked permission to offer the segment to their viewers. Of course, I said yes. I was thrilled with the opportunity to reach PATV’s audience.  And I’m taking the lesson to heart. In the world of the Internet, reaching millions of people is literally possible. But they have to find you first. Respect the tag!

If you’d like to view my reading, you can find it on the PATV website using the link below:

http://patv.tv/blog/2011/08/23/iowa-book-festival-dancing-with-gravity-reading/

 

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Drumroll for a Dilemma

In a world frequented by writers and other creative sufferers, psychotherapy recognizes an unsolvable human affliction:   cognitive dissonance.  It’s the ability to simultaneously engage conflicting viewpoints.  Writers want to have their work speak for themselves, and yet…there is always a stage that must be occupied by a public performance, as JD Salinger’s exception proves the rule.  When the writing becomes the written, the looming challenge is getting people to read it.  And that means walking down the corridor to the marketing department.  In this case, it meant a road trip to the Iowa City Book Festival.  My publisher had arranged for me to give a reading.  So I did.  Sometimes these events are described as shameless self-promotion.  Which brings me back to psychotherapy.  A certain degree of shamelessness is healthy.  A public reading of one’s work is neither shameless nor worthy of shame.  It’s just marketing.  Sometimes a cigar is just a cigar.

Here’s how I did:

Dancing with Gravity reading Iowa Book Festival.mov

 

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Fresh Ideas in Your InBox Every Day

Do you subscribe to The Writer’s Almanac? It’s a wonderful free e-newsletter (although contributions are certainly welcome) from those amazing people at NPR. Each morning you’ll find a poem and all sorts of interesting reading/writing related information in your Inbox. You can even choose an audio version, which allows you to hear Garrison Keillor reading the day’s poem.

I read The Writer’s Almanac each morning and nearly always find engaging information. I sometimes paste copies of the day’s poem or articles in my notebook. They remind me I’m not alone—and they make me think more critically and creatively about the world around me. Listed below you’ll find an abbreviated excerpt from a recent edition of  The Writer’s Almanac. It features a comment by the culture critic Neil Postman that feels particularly timely—especially for writers:

The English author Aldous Huxley  was born July 26, 1894 in Godalming, Surrey. Huxley wrote a few of novels that satirized English literary society, and these established him as a writer. It was his fifth book, Brave New World (1932), which arose out of his distrust of 20th century politics and technology, for which he is most remembered. Huxley started out intending to write a parody of H.G. Wells’ utopian novel Men Like Gods (1923). He ended by envisioning a future where society functions like one of Henry Ford’s assembly lines: a mass-produced culture in which people are fed a steady diet of bland amusements and take an antidepressant called Soma to keep themselves from feeling anything negative.

It’s natural to compare Brave New World with George Orwell’s Nineteen Eighty-Four (1948), since they each offer a view of a dystopian future. Cultural critic Neil Postman spelled out the difference in his 1985 book Amusing Ourselves to Death:

“What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture. … In short, Orwell feared that what we fear will ruin us. Huxley feared that our desire will ruin us.”

Learn more about The Writer’s Almanac at: http:// writersalmanac.publicradio.org

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